I am pleased to announce the initial publication my translation of the 20th century Russian classic, The Master and Margarita, by Mikhail Bulgakov. Translating this novel from Russian to English has been a joy and an obsession; I finally feel that it is translated, edited, proofed and formatted to my satisfaction, and so ready to go out into the world. Currently it is only available as a Kindle e-book, but is days away from release as a trade-paperback. It will also soon be available on Apple’s iBooks store and at Barnes & Noble. Continue reading “Just Published: New Translation of ‘The Master and Margarita’ by Mikhail Bulgakov”
This is the Master and Margarita cover I made for my translation of Mikhail Bulgakov’s awesome tale of the extraordinary in 1930s Moscow, which will be published before the end of of 2017:
With two dreams, one after another in Master and Margarita, Bulgakov touches on some risky subjects.
As mentioned at the beginning of my last post (“Sympathy for the Devil in Russian Literature”), my efforts to translate Chapter XV of Master and Margarita, “Nikanor Ivanovich’s Dream,” led me to become fascinated with the use of dreams as a device in Russian novels. My first avenue for delving into this topic further was Dostoevsky’s use of it in The Brother’s Karamazov, specifically the chapter titled, “The Devil. Ivan’s Nightmare.” This provided not only another example of a dream sequence, but also another depiction of the devil, so I devoted that last post to a comparison of Dostoevsky’s devil with Bulgakov’s.
I remained intrigued, however, by the dream thing. As I began translating the next chapter of Master and Margarita, “The Execution,” I was delighted to find that I was dealing here with yet another dream—this one dreamt by Ivan (Bulgakov’s Ivan, not Dostoevsky’s); two dreams in a row! Continue reading “Dreams, Dreams, Dreams”
Aeroflot highlights efforts of the Russian service industry to improve customer service. Is paying people to smile, speak softly and kneel a good thing?
An article appeared yesterday (Saturday, Nov. 2, 2013) in the The New York Times reporting on Aeroflot’s successful efforts to improve service on its flights—‘Russian Service, and With Please and Thank You.’ Reporter Andrew E. Kramer sees the extensive training now given to flight attendants for the Russian airline as part of a “broad and transformative trend in the Russian service industry brought about by the rising demands of middle-class consumers.” On its way out, apparently, is the stereotypical gruff and taciturn response of the Russian service worker who has to actually provide a service. Is this a good thing? I wonder. Continue reading “Russian Service Industry: Better? Or Just (Better) Paid?”
Review—Mastering the Art of Soviet Cooking: A Memoir of Food and Longing, by Anya von Bremzen
On sale—September 17, 2013
One could be excused for imagining that a book with the title Mastering the Art of Soviet Cooking might be a collection of recipes, with details about the finer points of food preparation in the former Soviet Union. The subtitle, “A Memoir of Food and Longing,” hints at a more personal account. Neither of these, however, prepare the reader for the epic of family history, biography, autobiography and scholarly assessment of the Soviet Union presented in this excellent new book by Anya von Bremzen, former citizen of the USSR and three-time James Beard Award winner. While this may seem like too much for a single volume, it is artfully stitched together using food, in all its meanings, as thread. The tale of the creation and eventual dissolution of the Union of Soviet Socialist Republics is one of, if not the grandest narrative of the 20th century. Anya’s stories of herself, her grandmother, and especially her mother, are engaging and endearing, and breathe life into the stock of familiar characters and events in the history of the USSR. Her well-crafted distillations of the theses and arguments of prominent academics on subjects such as the “nationalities question” and Stalinist totalitarianism are usually spot-on. All this is brought together by how it informs, and is informed by, food.
Any illusions that this is a book celebrating the quality of Soviet cuisine are quickly put aside when the author admits, in mentioning her mother’s love for sosiski, i.e.- Soviet hotdogs, that “besides sosiski with canned peas and kotleti (minced meat patties) with kasha, cabbage-intensive soups, mayo-laden salads, and watery fruit kompot for desert—there wasn’t all that much to eat in the Land of the Soviets.” Continue reading ““Mastering the Art of Soviet Cooking—” Portraits of Life in the USSR, with Recipes!”
Getting back to another of my favorite subjects relating to Russian culture and history—80’s pop music—I decided recently to write a complete translation of Хочу Перемен! (Khochu Peremen, Eng.= I Want Change!) a singular song of its time and place, by the russian band Kino (see also my translation of Kino’s Aluminum Cucumbers).
Перемен!- I Want Change!
Instead of warmth- greens of glass,
Instead of fire- smoke.
From the calendar grid a day is torn.
The red sun fires its entire mass,
The day is burned out by its stroke.
On the flaming city a shadow descends.
Change!- Demanded by our hearts,
Change!- Demanded by our eyes,
In our laughter and in our tears,
And in the pulse of veins
We wait for change. Continue reading “‘Хочу Перемен!’- Anthem of Dissent? Or Just Another Cool Pop-Song?”
Bulgakov’s A Young Doctor’s Notebook to be aired in the U.S. on the cable channel Ovation.
An article in The New York Times today (July 14, 2013) announced that the British four part mini-series of A Young Doctor’s Notebook, based on the stories of Mikhail Bulgakov and starring John Hamm and Daniel Radcliffe, will air in the U.S. this Fall on the cable channel Ovation. This is especially good news for me as I had managed to view the first episode, but have been unable to find any version, paid or free, of subsequent episodes. Hopefully I will be able to view this series from Ovation’s website, and not have to get cable TV.
Previous to hearing about this production last year, I had not read the collection of Bulgakov’s stories that inspired it—Notes of a Country Doctor. Having decided to read an English translation of this collection before viewing A Young Doctor’s Notebook, and now having seen the first episode, I am more eager than ever to watch the rest as I am interested in how they handled Bulgakov’s unexpectedly dark, and deeply disturbing conclusion. I don’t know what to expect, really, as this production introduces the new and significant element of having the older doctor (Hamm) visiting and engaging with his younger self (Radcliffe) as he stumbles through his first assignment as “a real doctor” in a hospital in remotest rural Russia.
Also check out my translations, and discussions, of Bulgakov’s Master and Margarita: The “Foreigner”; My Approach to Translating Prose; The Old-Timers in Moscow Will Remember!; The Nature in Bulgakov’s Names; The Dread Pirate Archibald Archibaldovich.
© 2013, John Dougherty. All rights reserved
Khlebnikov’s century-old poem resonates with the Russia of today.
I do love translating poetry, agonizing as it can be sometimes (see previous post- It Has to Be “Love”). My latest effort puts into English a poem written by one of the founders, and leading lights, of the Russian ‘Futurist’ movement, Velimir Khlebnikov (Viktor Vladimirovich; “Velimir” was his pen name). Below is my translation of Не Шалить (pron.-Ne Shalit’!= Don’t Be Bad!), followed by a discussion of Khlebnikov, the futurists and the resonance of this poem with Russian society today.
Don’t Be Bad!
Hey, cut-throat racketeers,
Heads full of sludge!
In old Cossack leathers
Through Moscow I trudge!
Not for its grandeurs
Is truth on our side,
So that in rich furs
We may haughtily ride.
Not in that strife
Did blood flow without check,
So that each merchant’s wife
Could wear pearls round her neck.
It’s no good to rail
All the night long
I will sing, I will sail
The Volga, the Don!
I will go tonight
Ahead where fate tends
Who’s with me in flight?
There are with me–my friends
Continue reading “Velimir Khlebnikov’s ‘Don’t Be Bad!’”
A Translation of Boris Pasternak’s poem, ‘A Winter’s Night’
Feeling the need to take a break from translating prose, I decided to finally make an attempt to translate a Boris Pasternak poem that, while not seasonally appropriate in May, is one of my favorites—’A Winter’s Night’.
A Winter’s Night
The blizzard swept over all the land
Beyond the furthest road
A candle glowed near at hand
A candle glowed
Continue reading “A Winter’s Night—Pasternak’s ‘Зимняя Ночь’”